Luca D'Onghia
Scuola Normale Superiore, Classe di Scienze Umane, Faculty Member
- IUSS Pavia, Classe Di Scienze Umane, AdjunctUniversity of Lausanne, Faculté des Lettres, Section d'Italien, Adjunct, and 4 moreadd
- Syntax, Dialectology, Theatre History, Italian (Languages And Linguistics), Italian Literature, Renaissance Studies, and 35 moreEtimology, Italian dialects, Historical Dialectology, Dialect Literature, Sermon Studies, Filologia Italiana Letteratura Italiana del Rinascimento, Filologia Italiana, Filologia dei testi a stampa, Textual Criticism, Textual Bibliography, Ruzante, Bernardino da Siena, History of the Book, Stilistica E Metrica Italiana, Storia Della Lingua Italiana, 20th Century Italian Literature, Intellectual and cultural history, Literary Stylistics, Romance philology, Italian Dialectology, Style and Stlistics, Old Italian, Pietro Aretino, Dramaturgy, Carlo Goldoni, Renaissance Epistolarity, Michelangelo Buonarroti, Commedia dell'arte, Giovan Battista Andreini, Giulio Cesare Croce, Gianfranco Contini, Renaissance Rome, René Girard, Digital Humanities, and Baroque Literatureedit
Il libro è interamente scaricabile dal sito della Pavia University Press.
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This paper focuses on linguistic and literary intersections between Testori's Ambleto (1972) and Ruzante's theatre, with particular attention to the comedy named Moschetta. Moschetta had been recited by Franco Parenti and Testori – as he... more
This paper focuses on linguistic and literary intersections between Testori's Ambleto (1972) and Ruzante's theatre, with particular attention to the comedy named Moschetta. Moschetta had been recited by Franco Parenti and Testori – as he himself testifies – was crucially influenced by this staging, and especially by the language Parenti used in order to recreate Ruzante's dialect. This paper tries to document the importance of that experience with respect to the Ambleto and to its contaminated and extremist language, pointing out some specific features that Testori might have taken from Moschetta. Sommario 1 «Una sera lo vidi». – 2 La macaronea di Testori. – 3 L'ombra di Ruzante.
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Letterina al Direttore del CF sulla vicenda della Normale di Napoli.
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Scheda di presentazione dei versi dialettali e del diario di guerra di Aldo Spallicci (scritta per Altritaliani.net "1914-2014: Raccontare la Grande Guerra")
